23, and not quite sure of things.

I like the sound of footsteps on gravel, and waking up to rain.

likeafieldmouse:

Johnny Savage - Fallout

Artist’s statement:

Fallout is a series of photographs that considers the modern Irish landscape; a landscape where empty buildings stand like ruins, reminders of another time or place in history. Appearing like portals to a different world, they quietly haunt the periphery of towns and cities, anonymous, the same, in a limbo of dream and reality…”

(via todayonhiatus)


“Wong’s chief inspiration for Chungking Express was a short story entitled ‘On Seeing the 100% Perfect Girl One Beautiful April Morning’ by the Japanese novelist Haruki Murakami. The story is about the mutability of perceptions, and begins with the sentence, ‘One fine April morning, I passed my 100% woman on a Harajuku back street.’ Chungking Express similarly begins with a chance encounter, which becomes a motif in the first episode…Wong develops the themes of chimerical relationships with the same evanescence displayed in Murakami’s short story. People’s lives just touch but never interpenetrate (maybe they do not even touch but just brush past, mere possibilities, foregone opportunities to connect, impermanence). Like Murakami, Wong injects a sense of magical element into everyday life but with a sense of fatal consequences. Like Murakami, he invokes icons from popular culture to suggest the part that memory plays.” (From Wong Kar-wai by Stephen Teo, 50-51)

“Wong’s chief inspiration for Chungking Express was a short story entitled ‘On Seeing the 100% Perfect Girl One Beautiful April Morning’ by the Japanese novelist Haruki Murakami. The story is about the mutability of perceptions, and begins with the sentence, ‘One fine April morning, I passed my 100% woman on a Harajuku back street.’ Chungking Express similarly begins with a chance encounter, which becomes a motif in the first episode…

Wong develops the themes of chimerical relationships with the same evanescence displayed in Murakami’s short story. People’s lives just touch but never interpenetrate (maybe they do not even touch but just brush past, mere possibilities, foregone opportunities to connect, impermanence). Like Murakami, Wong injects a sense of magical element into everyday life but with a sense of fatal consequences. Like Murakami, he invokes icons from popular culture to suggest the part that memory plays.”

(From Wong Kar-wai by Stephen Teo, 50-51)

(Source: pink-bullets, via unicornbots)

theoceaniswonderful:

IMG_4455-web by Andy Reefdweller

exulansis

dictionaryofobscuresorrows:

n. the tendency to give up trying to talk about an experience because people are unable to relate to it—whether through envy or pity or simple foreignness—which allows it to drift away from the rest of your life story, until the memory itself feels out of place, almost mythical, wandering restlessly in the fog, no longer even looking for a place to land.